Bachelor of Arts (Hons) in Animation Production

at Arts University Bournemouth United Kingdom

Make-Up for Media and Performance gives you the skills that you need to play a key creative role in performance, fashion, film or television.

Our recent graduates have worked on BBC and ITV productions (such as A Midsummer Night’s Dream, Coronation Street, Casualty, Granchester and The Durrells), films (such as Beauty and the Beast), theatre productions at the Royal Shakespeare Company, musicals (such as Wicked, The King and I, Matilda and Priscilla Queen of the Desert), and at Leavesden Warner Brothers and Pinewood Studios.

The make-up artist is an important member of any production team and you’ll have the chance to work with students who are studying Acting, Film Production, Costume and Performance Design, Commercial Photography, Visual Effects, Fashion and Fashion Branding and Communication to create ‘live’ collaborative projects. On this course, you’ll learn a diverse range of make-up skills. You’ll study make-up and hair design for drama, ballet, opera and music. A different perspective will give you the skills for fashion and photography shoots. You’ll also construct wigs and hairpieces, and create prosthetic make-up FX for film and television. In short, you’ll develop skills that are a real asset to a wide range of performance industries, from theatre to TV, and from the music business to the world of fashion and film.

You'll learn the skills needed to take on key creative and production roles in both live-action drama productions and documentaries.

Creating any sort of film depends on a team of technically gifted individuals working together. You'll discover the relationship between the various roles and stages of film production, including designing, editing, sound, cinematography, production and direction. As a film student at AUB, you'll have access to state-of-the-art equipment and well-equipped studios. We have professional filmmaking equipment for each part of the process, from pre-production to the delivery of completed films.

We’ve recently been awarded Gold by the TEF (Teaching Excellence Framework) which assesses the quality of teaching. Our staff are exceptional.

Our staff are inspiring teachers, researchers, industry practitioners and technicians who are here to support you with your studies and help you to achieve outstanding outcomes.

MA Illustration will appeal to you if you’re open to participating in a broad range of creative strategies, utilising traditional and digital methods.

These include drawing and printmaking, lens and time-based media, with ideas and concepts that might be realised through exhibition, publication or exciting new hybrid forms.

Students studying on the course come from a number of diverse backgrounds including Illustration, Graphic Design, Printmaking, Drawing, Photography and Painting. Others come from outside of art and design, having had experience across other subject disciplines, but demonstrating a passion for illustration.

MA Illustration is structured and delivered in order to encourage and support you in developing your own distinct visual language, recognising an expansive understanding of contemporary illustration through the exploration of relationships between illustrator as author, audience and context.

Ideas are developed through specific individual approaches to research into practice and reflective enquiry. This deeper understanding and commitment to practice assists students in identifying, exploring and achieving your future career aspirations. The course encourages you to engage imaginatively with illustration, in relation to both the academic subject and practice of illustration.

MA Illustration encourages you to question the nature of your practice and its context and position relative to the creative industries. The course encourages you to engage imaginatively with your practice in relation to the evolving academic subject and practice of illustration. Your practice will be considered in a global context, with an awareness of the emergence of new and innovative approaches that interrogate, challenge and advance traditional. As a graduate from MA Illustration, you’ll be able to carve your own niche in an evolving market for visual materials.

The journey from design to shop window or fashion catwalk is fascinating. You’ll discover the complexities of buying, selling and promotion – and the need to be entrepreneurial. A major strength of this course is its position within a specialist arts, design and media institution with the potential for you to study alongside other creative and cultural disciplines.

During the course you will build an appropriate portfolio of skills, which supports the development of individual practice, and informs your decision regarding the selection of a specialist named award.

Animation is everywhere: from the classic Disney fairytale, to the quirky aardman comedy and the dynamic Pixar blockbuster.

Graduates from this course have gone on to work in studios across the world, including Pixar, Aardman, carrot, Lupus, and ILM. We’ll introduce you to the fundamental skills of drawing and painting which underpin animation in all forms. Along with training in industry-standard software, you’ll be able to apply your skills to hand-drawn, stop-motion, and CGI work. Working as part of a team in an animation studio environment, you’ll develop your personal portfolio and produce graduate films.

We have industry-standard facilities, where you’ll have access to the following throughout your studies – PC workstations with WACOM Intous Pro Tablets, a render management software, Adobe Creative Cloud, ToonBoom Harmony, Storyboard Pro, Dragon Frame, Mari, Maya, ZBrush, Da Vinci Resolve and Red Giant Complete.

Visits from industry practitioners and opportunities for studio placements will add to your knowledge and prepare you for a career that could see you work in film, commercials or even video game production. We’ll teach you skills to shape the future of the industry.

MA Fine Art represents an exciting opportunity for students to challenge and build on their previous achievements and to study at an advanced level. Students deepen their knowledge and their ability to focus on their chosen field in relation to the key aspects that inform it.

Set within a community and culture of makers, students engage in dialogue and debate with their peers, both within and across MA pathways.

This experience provides dynamic and interactive sessions, which are vital to the enhancement and testing of new thinking and ideas generation as well as offering the broadest available critical arena for discussion of student work.

Students apply to the course predominantly from graphic design courses but are welcomed from a variety of backgrounds (if they can show an aptitude for typography). Students may have studied photography, architecture, illustration, interaction design, three-dimensional design, fine art, or, subjects such as journalism, philosophy, psychology, anthropology or sociology.

Whatever your background, you’ll be required to reflect on your worldview; the underlying assumptions and understanding that guides and constrains your practice, and to use this reflection as a starting point from which to further develop. Your practice can take many forms: it can be self-expressive, or socially orientated; print, screen-based or three-dimensional.

It can focus on an aspect of a well-defined area of design, such as branding, experimental typography, publishing, and user-centred design, or on something more unconventional defined as part of your study.

Graphic designers often work in groups, sometimes comprising members from different disciplines. MA Graphic Design provides many opportunities to work in interdisciplinary ways as it sits alongside the courses of other disciplines. Many of the taught sessions such as the introduction to research methods and processes occur in these interdisciplinary groups. At other times however you’ll be developing your project with your supervisor and other students on your course. This will require you to develop a theoretical framework, methodology and research methods that support your research focus.

As a graphic designer you should anticipate the possible consequences of your design interventions, including the meanings constructed through your practice, in relation to ethical and sustainability issues as well as to other relevant contexts. Creative approaches are required that respond to complex situations in which many problems reside. Outcomes are not constrained by media or by limited interpretations of what it is to be a graphic designer.

Consequently, an outcome might involve the design of an experience or service, as much as it might concern more conventional forms of graphic production.

A career in creative writing could see you working in publishing, a literary agency, freelancing or in education — and that’s just the start. Whether you want to create prose, scripts, poetry or nonfiction, we’ll help you turn writing into a career.

With visits from published writers and industry professionals, you’ll be able to explore career opportunities and build contacts. When you graduate, you’ll have a strong portfolio and a professional network to kickstart your career.

Writers rarely work alone, so this course will give you the opportunity to collaborate with other courses. You might write scripts with animators or filmmakers, or explore narratives with illustrators.

Our teaching staff are exceptional. We’ve recently been awarded Gold by the TEF (Teaching Excellence Framework) which assesses the quality of teaching.

Our Dance degree runs in partnership with Pavilion Dance South West (PDSW), the National Dance Development Organisation for the South West. We have our own, purpose-built dance studios on campus and we also have the use of PDSW’s town centre studios. This is a perfect combination of both professional and educational environments. You'll be able to build a network of collaborators and professionals to help you launch your own creative career.

This degree will also enable you to understand the current dance industry and meet the professionals running it. On campus, you can make the most of our culture of collaboration by exploring AUB’s creative community and all that it has to offer. You’ll finish with a degree and the skills to be a dance artist, capable of thinking about dance in new and relevant ways. This is a competitive market, but you're one of a kind and have something great to offer. We’ll help you to become a dance professional with an edge.

Since the Harry Potter boom in the early 2000s, alongside a recent influx of new releases from studies, such as Disney and Marvel, the film and VFX industry has expanded at an exponential rate.

This has firmly established the UK as the leading country for high-quality Visual Effects work and created an unprecedented demand for fresh, highly-trained graduate talent from the UK education system. The course was created in response to an industry demand for visual effects artists who possess strong observational skills and the ability to apply them collaboratively in the workplace.

Designed from the ground up by industry professionals, specifically to address this demand, the primary ethos is to create the quality required for employability within the industry. Developing a foundation in traditional artistic techniques, such as drawing, colour theory, perspective, photography and composition, 125 you will learn what it takes to create your own feature film quality visual effects.

Our 2D workflow uses Nuke for all compositing, and Maya/Zbrush and Arnold for 3D, while our colour pipeline is based on an industry model with custom LUTs to ensure accurate monitoring of colour in our fully calibrated VFX labs. All of our VFX labs are equipped with top of the range industry-level workstations and are supported by our render farm, fibre network, and clustered storage. With smaller class sizes, students have full access to the VFX labs and workstations on specified lab days alongside a more personal, teaching approach. You will experience a team-based production process that replicates industry best practice; including previsualisation, concept development, on-set data acquisition, asset building, and compositing. We’ll introduce you to the underlying concepts and fundamental principles of Visual Effects work and teach you the necessary creative and technological disciplines, developing your knowledge of 2D and 3D software.

The course prides itself on the currency of its staff. You will be taught by industry professionals that between them have worked at studios, including ILM, Framestore, Double Negative, Electronic Arts, MPC, Image Engine, Weta Digital and many more. We have taken the knowledge gained at these studios and have brought it into the classroom. Having worked in the industry at the highest levels, we not only know what makes a strong artist, but also what the visual effects industry is looking for. We are focused on our graduates’ successful entry into the VFX industry, as well as them having a long and successful career.

The visual effects industry community is very close, much like a family where everyone knows each other. Through the personal connections of our industry experienced staff we are able to bring in top class guest speakers, such as Christian Manz, Creative Director, Film at Framestore and Sue Lyster, Director of Studio Operations, and ILM, to name a few recent guests.