Bachelor of Arts (Hons) in Commercial Photography

at Arts University Bournemouth United Kingdom

MA Illustration will appeal to you if you’re open to participating in a broad range of creative strategies, utilising traditional and digital methods.

These include drawing and printmaking, lens and time-based media, with ideas and concepts that might be realised through exhibition, publication or exciting new hybrid forms.

Students studying on the course come from a number of diverse backgrounds including Illustration, Graphic Design, Printmaking, Drawing, Photography and Painting. Others come from outside of art and design, having had experience across other subject disciplines, but demonstrating a passion for illustration.

MA Illustration is structured and delivered in order to encourage and support you in developing your own distinct visual language, recognising an expansive understanding of contemporary illustration through the exploration of relationships between illustrator as author, audience and context.

Ideas are developed through specific individual approaches to research into practice and reflective enquiry. This deeper understanding and commitment to practice assists students in identifying, exploring and achieving your future career aspirations. The course encourages you to engage imaginatively with illustration, in relation to both the academic subject and practice of illustration.

MA Illustration encourages you to question the nature of your practice and its context and position relative to the creative industries. The course encourages you to engage imaginatively with your practice in relation to the evolving academic subject and practice of illustration. Your practice will be considered in a global context, with an awareness of the emergence of new and innovative approaches that interrogate, challenge and advance traditional. As a graduate from MA Illustration, you’ll be able to carve your own niche in an evolving market for visual materials.

MA Historical Costume engages you in the potential of performance design and garment construction to explore complex ideas; some of which could stray into other areas of artistic experimentation. Students may come to the course with a background in costume, fashion, textiles or theatre/performance design or you may have studied subjects from across the humanities including arts and performance.

This master’s program supports and encourages you to investigate individual practice within an interdisciplinary framework, whilst developing a critical theoretical context for your work. The very special and unique nature of course delivery, through shared lectures, seminars, critiques and tutorials encourages both a ‘freewheeling’ atmosphere as well as an intense immersion in creative practice.

Whether you are interested in looking at historical influences or current socio-political issues related to dress, you will challenge the context of your study in design or historical costume construction within the broader framework of contemporary practice.

This two-year, studio-based course, is the second part of the three-part qualification in becoming an architect. This design-based professional qualification, accredited by the Royal Institute of British Architects (RIBA) and the Architects Registration Board (ARB).

You’ll work alongside fellow makers, collaborators, and enablers who have come from different schools around the world; you’ll have the opportunity to collaborate across the arts. The course philosophy has many connections and develops on from the four key issues identified in the BA (Hons) Architecture (ARB/RIBA part 1).

This course takes its approach from the context of the ‘shared studio-based arts university’ where all courses are making. This philosophy is applied throughout the taught units by emphasising the role of drawing, models and texts in the making of architecture; the things we make – to think about the things we make.

As a student you’ll be asked to develop projects with strong narratives commenting on current social, cultural and environmental issues. In each unit you’re encouraged to give architectural expression to your own personal views and visions, whilst aiming to produce tangible propositions, mindful of how they might be realised.

Studio Culture

The studio is both professional and exploratory. This educational experience is grounded in a strong studio culture of making and thinking, supported by regular lectures by practitioners, seminars and reviews.

The studio generates an atmosphere in which open, critical and reflective practice supports exploration and risk-taking where we test, discuss and present ideas. We’re particularly focused in delivering studio-based and student-centred learning environment.

We offer shared facilities such as the workshop, fab-labs, the print room and the Drawing Studio.

Personal, Professional and Ecological Development

The course will support your personal development towards a creative contribution to architecture and the wider world after graduation. The final Thesis Design year gives you the opportunity to develop your own research design project that integrates making and collaboration through an ecological narrative.

Our BA (Hons) Acting course will appeal to you if you're passionate about pursuing a performance career. You’ll have plenty of professional and technical support and we encourage you to experiment and work collaboratively with other students on your own projects.

MA Fine Art represents an exciting opportunity for students to challenge and build on their previous achievements and to study at an advanced level. Students deepen their knowledge and their ability to focus on their chosen field in relation to the key aspects that inform it.

Set within a community and culture of makers, students engage in dialogue and debate with their peers, both within and across MA pathways.

This experience provides dynamic and interactive sessions, which are vital to the enhancement and testing of new thinking and ideas generation as well as offering the broadest available critical arena for discussion of student work.

On this course you’ll learn practical, professional and entrepreneurial skills that equip you to work as part of a team, or even set up your own business in textiles.

You’ll study textiles in its widest sense and learn many skills, from print, stitch embellishment to dyeing and mixed media construction. You’ll have the opportunity to focus on a variety of specialist areas, including textiles for fashion, textiles for interiors and textiles as design/crafts.

Traditional skills are taught together with expertise in modern design development, production, and contemporary invention. Whether you go on to work for a retail brand, or an international design house, we will prepare you for the challenges that the creative textile industry holds.

We've also formed an AUB textiles Agency to promote student work at Premier Vision Paris and London Print Textile Trade Fairs. Students have engaged with industry – experiencing how the business buys and sells textiles.

Since the Harry Potter boom in the early 2000s, alongside a recent influx of new releases from studies, such as Disney and Marvel, the film and VFX industry has expanded at an exponential rate.

This has firmly established the UK as the leading country for high-quality Visual Effects work and created an unprecedented demand for fresh, highly-trained graduate talent from the UK education system. The course was created in response to an industry demand for visual effects artists who possess strong observational skills and the ability to apply them collaboratively in the workplace.

Designed from the ground up by industry professionals, specifically to address this demand, the primary ethos is to create the quality required for employability within the industry. Developing a foundation in traditional artistic techniques, such as drawing, colour theory, perspective, photography and composition, 125 you will learn what it takes to create your own feature film quality visual effects.

Our 2D workflow uses Nuke for all compositing, and Maya/Zbrush and Arnold for 3D, while our colour pipeline is based on an industry model with custom LUTs to ensure accurate monitoring of colour in our fully calibrated VFX labs. All of our VFX labs are equipped with top of the range industry-level workstations and are supported by our render farm, fibre network, and clustered storage. With smaller class sizes, students have full access to the VFX labs and workstations on specified lab days alongside a more personal, teaching approach. You will experience a team-based production process that replicates industry best practice; including previsualisation, concept development, on-set data acquisition, asset building, and compositing. We’ll introduce you to the underlying concepts and fundamental principles of Visual Effects work and teach you the necessary creative and technological disciplines, developing your knowledge of 2D and 3D software.

The course prides itself on the currency of its staff. You will be taught by industry professionals that between them have worked at studios, including ILM, Framestore, Double Negative, Electronic Arts, MPC, Image Engine, Weta Digital and many more. We have taken the knowledge gained at these studios and have brought it into the classroom. Having worked in the industry at the highest levels, we not only know what makes a strong artist, but also what the visual effects industry is looking for. We are focused on our graduates’ successful entry into the VFX industry, as well as them having a long and successful career.

The visual effects industry community is very close, much like a family where everyone knows each other. Through the personal connections of our industry experienced staff we are able to bring in top class guest speakers, such as Christian Manz, Creative Director, Film at Framestore and Sue Lyster, Director of Studio Operations, and ILM, to name a few recent guests.

This degree will help you to prepare for professional practice (part 1 ARB/RIBA) and investigate the ways we live in the world through material and spatial relationships. You'll develop skills that will form the foundation of your career in architecture: making, collaborating, designing and communicating. Integrating practice with theory is at the heart of professional architectural practice, so that’s exactly what you’ll do here.

You’ll explore, experiment and develop new solutions. Discussing and presenting your work you'll share ideas about architecture through making tangible propositions, mindful of how they might be realised.

This ‘research-by-making’ approach encourages risk-taking, innovation and entrepreneurship. Both inside and outside of the studio, as well as in regular seminars, lectures and reviews, you’ll work on projects that require a creative balance of rigour and risk, informed by your design, technical and contextual knowledge.

At every stage in your degree, you’ll have opportunities to build on your own practice through collaborations with other courses. You’ll develop an understanding of the practice and theory of architecture, grounded in making, along with critical thinking and a familiarity with the material nature of architectural ideas. You’ll explore the practice of making thoughtful, tangible, inhabited places that mediate between the individual, the world we live in, and the others we live with.

In our dynamic studio environments, you’ll learn to experiment, test and develop your illustration practice. You can explore drawing, painting, sewing and printmaking, as well as photographic, digital, moving image and interactive media.

Visual Communication combines skills in illustration, graphic design, typography and digital design to create images that persuade or inform.

From the start, the course focuses on hand-drawn imagery to develop a feel for the shapes and styles that connect with audiences. Practical experiences will be used to develop your skills. We’ll help you to build your visual awareness and understanding of the world around you. In addition to plenty of theory and debate, you’ll have the chance to work on live briefs with other students and find work placements in creative businesses.

Visual Communication underlines the importance of good ideas. You’ll leave with all the practical skills that you need to work in a vibrant and exciting industry. Our graduates work as freelancers in small design companies and with larger firms, both locally and internationally.