Bachelor of Arts (Hons) in Visual Effects (VFX) for Film and Television

at Arts University Bournemouth United Kingdom

Since the Harry Potter boom in the early 2000s, alongside a recent influx of new releases from studies, such as Disney and Marvel, the film and VFX industry has expanded at an exponential rate.

This has firmly established the UK as the leading country for high-quality Visual Effects work and created an unprecedented demand for fresh, highly-trained graduate talent from the UK education system. The course was created in response to an industry demand for visual effects artists who possess strong observational skills and the ability to apply them collaboratively in the workplace.

Designed from the ground up by industry professionals, specifically to address this demand, the primary ethos is to create the quality required for employability within the industry. Developing a foundation in traditional artistic techniques, such as drawing, colour theory, perspective, photography and composition, 125 you will learn what it takes to create your own feature film quality visual effects.

Our 2D workflow uses Nuke for all compositing, and Maya/Zbrush and Arnold for 3D, while our colour pipeline is based on an industry model with custom LUTs to ensure accurate monitoring of colour in our fully calibrated VFX labs. All of our VFX labs are equipped with top of the range industry-level workstations and are supported by our render farm, fibre network, and clustered storage. With smaller class sizes, students have full access to the VFX labs and workstations on specified lab days alongside a more personal, teaching approach. You will experience a team-based production process that replicates industry best practice; including previsualisation, concept development, on-set data acquisition, asset building, and compositing. We’ll introduce you to the underlying concepts and fundamental principles of Visual Effects work and teach you the necessary creative and technological disciplines, developing your knowledge of 2D and 3D software.

The course prides itself on the currency of its staff. You will be taught by industry professionals that between them have worked at studios, including ILM, Framestore, Double Negative, Electronic Arts, MPC, Image Engine, Weta Digital and many more. We have taken the knowledge gained at these studios and have brought it into the classroom. Having worked in the industry at the highest levels, we not only know what makes a strong artist, but also what the visual effects industry is looking for. We are focused on our graduates’ successful entry into the VFX industry, as well as them having a long and successful career.

The visual effects industry community is very close, much like a family where everyone knows each other. Through the personal connections of our industry experienced staff we are able to bring in top class guest speakers, such as Christian Manz, Creative Director, Film at Framestore and Sue Lyster, Director of Studio Operations, and ILM, to name a few recent guests.

MA Illustration will appeal to you if you’re open to participating in a broad range of creative strategies, utilising traditional and digital methods.

These include drawing and printmaking, lens and time-based media, with ideas and concepts that might be realised through exhibition, publication or exciting new hybrid forms.

Students studying on the course come from a number of diverse backgrounds including Illustration, Graphic Design, Printmaking, Drawing, Photography and Painting. Others come from outside of art and design, having had experience across other subject disciplines, but demonstrating a passion for illustration.

MA Illustration is structured and delivered in order to encourage and support you in developing your own distinct visual language, recognising an expansive understanding of contemporary illustration through the exploration of relationships between illustrator as author, audience and context.

Ideas are developed through specific individual approaches to research into practice and reflective enquiry. This deeper understanding and commitment to practice assists students in identifying, exploring and achieving your future career aspirations. The course encourages you to engage imaginatively with illustration, in relation to both the academic subject and practice of illustration.

MA Illustration encourages you to question the nature of your practice and its context and position relative to the creative industries. The course encourages you to engage imaginatively with your practice in relation to the evolving academic subject and practice of illustration. Your practice will be considered in a global context, with an awareness of the emergence of new and innovative approaches that interrogate, challenge and advance traditional. As a graduate from MA Illustration, you’ll be able to carve your own niche in an evolving market for visual materials.

A career in creative writing could see you working in publishing, a literary agency, freelancing or in education — and that’s just the start. Whether you want to create prose, scripts, poetry or nonfiction, we’ll help you turn writing into a career.

With visits from published writers and industry professionals, you’ll be able to explore career opportunities and build contacts. When you graduate, you’ll have a strong portfolio and a professional network to kickstart your career.

Writers rarely work alone, so this course will give you the opportunity to collaborate with other courses. You might write scripts with animators or filmmakers, or explore narratives with illustrators.

The engaging and creative course will be your stepping stone to an exciting career in making.

With access to the latest technology and traditional resources, you will learn to make things using an extensive array of materials, tools, and techniques. You will develop the making skills needed for rewarding careers in film, architecture, exhibition, and design. You will develop as an independent thinker, who is capable of solving problems, and taking imaginative leaps in creative design and making.

You will work on live collaborative projects with students from other courses and with industry professionals. Using our strong links with the creative industries, you will have opportunities to undertake work experience with leading companies in the UK and abroad.

Our graduates have progressed in their careers to run departments at Pinewood Studios, RSHP, Foster + Partners, Chalk Studios and Rusty Squid. This course has been the first step in the journeys of many successful graduates, leaders, and innovators. You will get the opportunity to work in our award-winning and purpose-built ‘CRAB’ Drawing Studio, which was designed by Professor Sir Peter Cook RA.
You will also work in Passiv Haus and our well-equipped Printmaking Studio.

MA Historical Costume engages you in the potential of performance design and garment construction to explore complex ideas; some of which could stray into other areas of artistic experimentation. Students may come to the course with a background in costume, fashion, textiles or theatre/performance design or you may have studied subjects from across the humanities including arts and performance.

This master’s program supports and encourages you to investigate individual practice within an interdisciplinary framework, whilst developing a critical theoretical context for your work. The very special and unique nature of course delivery, through shared lectures, seminars, critiques and tutorials encourages both a ‘freewheeling’ atmosphere as well as an intense immersion in creative practice.

Whether you are interested in looking at historical influences or current socio-political issues related to dress, you will challenge the context of your study in design or historical costume construction within the broader framework of contemporary practice.

Our teaching staff are exceptional. We’ve recently been awarded Gold by the TEF (Teaching Excellence Framework) which assesses the quality of teaching.

Our Dance degree runs in partnership with Pavilion Dance South West (PDSW), the National Dance Development Organisation for the South West. We have our own, purpose-built dance studios on campus and we also have the use of PDSW’s town centre studios. This is a perfect combination of both professional and educational environments. You'll be able to build a network of collaborators and professionals to help you launch your own creative career.

This degree will also enable you to understand the current dance industry and meet the professionals running it. On campus, you can make the most of our culture of collaboration by exploring AUB’s creative community and all that it has to offer. You’ll finish with a degree and the skills to be a dance artist, capable of thinking about dance in new and relevant ways. This is a competitive market, but you're one of a kind and have something great to offer. We’ll help you to become a dance professional with an edge.

Make-Up for Media and Performance gives you the skills that you need to play a key creative role in performance, fashion, film or television.

Our recent graduates have worked on BBC and ITV productions (such as A Midsummer Night’s Dream, Coronation Street, Casualty, Granchester and The Durrells), films (such as Beauty and the Beast), theatre productions at the Royal Shakespeare Company, musicals (such as Wicked, The King and I, Matilda and Priscilla Queen of the Desert), and at Leavesden Warner Brothers and Pinewood Studios.

The make-up artist is an important member of any production team and you’ll have the chance to work with students who are studying Acting, Film Production, Costume and Performance Design, Commercial Photography, Visual Effects, Fashion and Fashion Branding and Communication to create ‘live’ collaborative projects. On this course, you’ll learn a diverse range of make-up skills. You’ll study make-up and hair design for drama, ballet, opera and music. A different perspective will give you the skills for fashion and photography shoots. You’ll also construct wigs and hairpieces, and create prosthetic make-up FX for film and television. In short, you’ll develop skills that are a real asset to a wide range of performance industries, from theatre to TV, and from the music business to the world of fashion and film.

MA Digital Fashion innovation recognises individuals and their aspirations and celebrates ideas, making, and creative risk-taking. Our guiding principle is to offer distinctive, exciting and challenging opportunities for you to engage in your respective subject disciplines. This will help you critically engage with, and redefine your particular approaches to your practices and position them within your chosen external, creative, economic, and cultural environment.

In our dynamic studio environments, you’ll learn to experiment, test and develop your illustration practice. You can explore drawing, painting, sewing and printmaking, as well as photographic, digital, moving image and interactive media.

Animation’s position as an interdisciplinary field that draws from Art and Design, Film, Computing, Fine Art, Graphics (and other areas besides) necessarily means that top-level graduates in the field will have mastered a cross-disciplinary understanding of a range of skills, techniques, theories and discourses.

The overriding objective is to enable all MA Animation Production students to see themselves as part of a ‘community of practice’ (that includes research and critique, and the building of a ‘production culture’), existing not as atomised students ‘doing their own thing’, but as part of a meaningful whole.

You’ll be a BA graduate in Animation or a related discipline. Although we will consider good graduates from other disciplines – having accepted them from Costume, Graphics, Digital Media, Illustration, Modelmaking, Photography and Fine Art in the past – you must have some understanding of the animation production process to prosper on this course.

Our alumni have gone on to work at Aardman, ILM, Lupus Films, Framestore, Pixar, Moving Picture Company and many other companies. We’re proud of the network of AUB graduates who are now employed in animation – many of whom return to talk to current students.